Maxwell “Coby” Whitmore was a commercial artist from Dayton, Ohio, who enjoyed a long and productive career as an illustrator and painter. His illustrations appeared on the covers of publications including The Saturday Evening Post, Good Housekeeping, Ladies Home Journal, Cosmopolitan, Esquire, and Sports Illustrated. He contributed illustrations to many national and international ad campaigns as well.
His pinups, while undeniably sexy, also all seem to have a backstory, which sets them apart from the subjects of the likes of Alberto Vargas and Gil Elvgren (both artists I adore). And as good as his pinups and glamour illustrations are, it’s his depictions of relationships with which I’m most impressed. Unlike Norman Rockwell and other nationally-known illustrators of the time whose work centered mainly around wholesome, happy people, the relationships he painted seem more complicated and gritty and real. The man must have been one hell of an observer of human behavior. I imagine him spending endless hours just watching people, but I’m glad he did. He certainly turned his observations into something beautiful!
October 18, 2015 at 7:38 am
I’m a fan of Whitmore too (I’m also a massive Rockwell fan) and I think what I love most about his artwork is that he finds the balance between his subjects being in a pose while also looking realistic, like a snapshot has just been taken. I also find his choice of composition to be engaging and often dynamic, things like focal figures placed off centre or the use of negative space.
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October 18, 2015 at 9:37 am
You’re right that his pictures seem more like well-timed snapshots. They don’t feel like the culmination of a scene but like a moment in the middle.
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October 18, 2015 at 10:09 am
You’ve expressed it much more eloquently than I managed.
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October 18, 2015 at 10:18 am
Untrue. I just continued the thought!
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October 18, 2015 at 8:52 am
You mentioned that these pictures had a backstory. I completely agree. Additionally, I think for some of them, they also have a future story.
They definitely have a sense of style.
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October 18, 2015 at 9:38 am
Agreed! It’s like we’ve tuned into the middle of something.
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October 18, 2015 at 9:54 am
Yes! That’s it exactly.
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October 18, 2015 at 2:32 pm
Thanks for the post. I learn something new from your posts daily.
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October 18, 2015 at 3:07 pm
That’s nice to hear! Thank you.
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October 18, 2015 at 10:40 pm
Lovely work. (My fave is the last one with the 3 children running into their parent’s room.)
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October 18, 2015 at 11:20 pm
That was mine, too! I always try to end with one of my faves.
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October 19, 2015 at 5:19 am
Interesting. I hadn’t seen any of his work before. First impression was, what dominant figures the women are. (I’m not complaining.)
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October 19, 2015 at 7:47 am
Interesting! They really do seem to be in charge of each of the situations he painted.
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October 19, 2015 at 5:30 am
Snowshoeing in heels! Now that’s an alternate reality that needs a backstory. His work is full of emotion; I love the one of the woman sizing up the book title while the man removes his cuff links. Thanks for showing his work.
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October 19, 2015 at 7:48 am
Glad you liked it! I am embarrassed to admit I didn’t know about his work until yesterday, but he’s sure going to stick with me now!
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